Why is Yongchun's hand only practiced in the hands of stand, arm and crouch

Why is Yongchun's hand only practiced in the hands of stand, arm and crouch

Yongchun's hand holding technique is not only practising "stand, arm and crouch" three times, but it is only practising these three times in hand holding. When holding hands, you can use any technique of chanting spring. When holding hands, you only need to "stand, arm and Fu" three times. The beginning of holding hands must be "stand, arm and Fu" repeated and repeated. After a round of passing hands and mutual attack and defense, you will return to "stand, arm and Fu" repeated and repeated holding hands. It can only be said that when holding hands, the most common movement is to repeat the "spread, arm, Fu" hand movements, not to say "only practice".

 

   Different kinds of boxing have different representative techniques. It must be an important technique to be the representative of this kind of boxing. Cai LIFO has hanging, sweeping and thrusting; Baihe school has wearing, throwing and extreme; maze boxing has throwing, patting, rolling and abducting; Tai Chi has embracing, pouting, squeezing and pressing; its shape and meaning include splitting, collapsing, drilling, cannoning and horizontal; and its back through includes throwing, patting, piercing, splitting and drilling. The most important method of chanting spring is to spread, arm and crouch.

   When it comes to "stall, arm and crouch", it is necessary to mention a "stall five" handed down by Yongchun. Generally speaking, his surname is Zhang, so it is also called Zhang Wu. However, there are different explanations about Zhang Wu. Some said that he was "lame" and "stall hand" was paralyzed. Some said that he was a northerner who went south and could not speak, so he often used "stall hand" to indicate that he could not communicate. Of course, some people think that this is Yongchun's "showman". In the history of Guangdong drama, Mai Xiaoxia wrote:

"Zhang Wu, a famous actor, was angry with the autocracy of the Qing government. Every time he stepped on the stage, he often used revolutionary arguments to express his anger of suppressing injustice. The Qing government was jealous of it and put it in the law. So he changed his costume and fled to Guangdong to live in dajiwei, Foshan town. At that time, Guangdong opera was not well-developed, but its content and appearance were concrete and subtle. The five performers are not special. They are both civil and martial arts. They are good at singing and martial arts. They belong to Shaolin school. Therefore, the body shape and technique of Guangdong martial arts opera are close to Shaolin. Later generations commemorate the success of the five entrepreneurs, and they call him master Zhang rather than Master Zhang. "

 

  "Good at martial arts", certainly not paralyzed. The basic boxing set practiced by the Cantonese Opera Troupe today is similar to the action of "little idea" spreading all over the place, and the "stall hand" of "stall hand Five" is likely to be the "stall hand" of Yongchun. As a nickname, the "stall hand" is certainly representative. It is often said in the Yongchun gate, "if you practice the skills of stand, arm and crouch well, you won't be satisfied." it means that if you practice these three skills well, you will be able to defeat the enemy, and the enemy will have to bow down. This sentence has many meanings. First, these three moves must be representative techniques, otherwise they will not be often hung in the mouth; second, just three moves can make the opponent helpless, less action, great effect and amazing power; third, three moves are often compared, there must be a close relationship between each other, the combination of the three will be more powerful. Therefore, if "show hands five" is really famous for singing spring show hands, then he must also be good at arm, Fu.

What's the point? When the enemy and us are in a hand like close confrontation, the "low outside" and "low inside" of the "four gates" are basically ignored. They are threatened by the opponent's "curved inside" vanguard. No one dares to pull their hand down. Once they pull their hand away, the opponent's vanguard will hit them instantly. Therefore, in the close confrontation, "high outside" and "high inside" are the most important, and "spread, arm and crouch" can effectively take care of these two doors. The stall keeper guards his "outer side" and the crouch keeper guards his "inner side". The stall keeper and the crouch keeper occupy the bottom of the "high outer side" and "high inner side" doors. By adding more arms, the top of the "high outer side" and "high inner side" doors are covered. There are horizontal lines, straight lines and oblique lines in the three hands. When the three hands are changing, especially from the spread to the arm, the elbow draws an arc on the periphery of the upper body. When the spread and the arm interact, a quarter sphere appears in front of the chest. When the left and right hands cooperate, a half sphere is formed. That sphere is the "high outer side" of the body“ The power barrier of "high inside" two doors is a comprehensive barrier in close confrontation.